Iowa Ceramics

Welcome.

The following pages are designed for the simultaneous purposes of providing information to prospective students, and to serve as a guide, or handbook of sorts, for current students. We hope it will serve as a resource to come back to from time to time when needed. It’s our hope that this proves helpful as you make a life for yourself here, and helps you succeed in making the best work, and having the best experience possible, as a graduate student in Ceramics at The University of Iowa.

This is an exceptional place. There are people here who can help you with any possible question, problem, or challenge you face, and we care about each other’s success and lives in and outside of the studio. There may be other programs out there with advantages we don’t have, but you’d be hard pressed to find a program with as strong a community, better facilities, or as much unique character as this one. We are among the premier MFA programs in the country, and are growing stronger and more established as time passes.

Your role here is part of this evolution. You have been chosen specifically – not by accident, and not by happenstance, but because of what your instructors believe you have to offer this place, and what we believe we have to offer you.

The School of Art and Art History at The University of Iowa

Original University of Iowa Art building, 1938, University Archives, UI libraries.

Original University of Iowa Art building, 1938, University Archives, UI libraries.

An introduction to The School of Art and Art History; to give you some context of where the school has been.

The first Art History course at The University of Iowa was offered in the year 1900, and the Department of “Art History and Appreciation” was founded in 1920. In 1922 the school became the first Art program in the nation to accept creative work in lieu of a thesis, and thus began the initial stages of what came to be known as “The Iowa Idea”… e.g., the merging of Studio Art and Art History programs for the betterment of all students interested in art.

In 1924, Eve Drewelowe was awarded the first M.A. degree in fine arts, and in 1934 University President Walter Jessup laid the cornerstone for what was then the new art building. Its remains are still present between the current art buildings and the Iowa river, where it has been dormant since the flood of 2008. There is some dispute historically about which university was chronologically the first to offer the MFA degree, but it is generally understood to be either the University of Iowa, or Yale. However, it is factual that in1940, Elizabeth Catlett simultaneously became the first person, woman, and African American in the United States to earn the MFA degree. She was a student of Grant Wood, and is the namesake of the newest dormitory on campus, across the river from the art school and dedicated in 2017.

Between the years of 1946-1962, owing to the influence of the G.I. Bill, the University of Iowa awarded more graduate arts degrees than any other university in the country. Notable faculty during this period include: Grant Wood, H.W. Janson, Phillip Guston, David Hockney, Mauricio Lasansky, and Byron Burford.

Between 1959 and 1976 new wings were added on the original art building, as well as separate areas for Ceramics and Metals, Printmaking, and Sculpture. Intermedia was added during this period, founded by Hans Breder. Also in 1969, the University of Iowa Museum of Art opened in a building (also still on campus but no longer operating as the museum) designed by Max Abramovitz. Notable students and faculty during this time were Miriam Shapiro, Riva Castleman, Charles Ray, Ana Mendieta, among many others not mentioned.

In 1993 the Arts campus was closed for the summer as it fell victim to the first of two devastating floods – the initial only causing minor damage.

2006 brought the opening of Art Building West, designed by Steven Holl and Associates, and in 2008 the Arts campus was nearly destroyed by the second of the two floods the campus has faced since its genesis.  

After eight years in a temporary location, The University of Iowa Visual Arts Building opened in the fall of 2016, also designed by Steven Holl and Associates.

 

Arial view of Art Building West and Visual Arts Building, Steven Holl and Associates, 2017.

Arial view of Art Building West and Visual Arts Building, Steven Holl and Associates, 2017.

Ceramics at The University of Iowa

Early ceramics faculty were Glenn Nelson, Jerry Rothman, and Norm Schulman. It's not clear who was first, or the order of their employment. It is true that in 1977 Bunny McBride was driving from Alfred, New York, home to Bozeman, Montana, when he received a call from Dan Rhodes, then head of ceramics at Alfred. Dan had heard that Iowa needed a ceramics professor, and instructed Bunny to stop on the way and interview. Bunny was hired on the spot, and taught until his retirement in 2010. Bunny’s direct colleague in ceramics for the bulk of that time was Chuck Hindes, who was hired in 1979, and taught nearly as long, retiring in 2006. Reagan Yoder was hired as Ceramics Technician and Lab Supervisor in 1993, and retired in 2018. Faculty in ceramics during this period were many, but some that are known are Clary Illian, Mitsuo Kakatani, Jill Lawley, Alisa Holen, Mat Rude, Josh Van Stippen, Eliza Au, and Benj Upchurch.

In 2016, Andrew Casto was hired, and he currently serves as Program Head of Ceramics. Benj Upchurch is the permanent Studio Specialist (studio technician), Sydney Ewerth is a full time Iowa Idea Visiting Assistant Professor, and ceramic artist Heidi McKay Casto also teaches courses in Foundations as a Visiting Assistant Professor within the School of Art and Art History.

The Ana Mendieta Gallery on the second floor of the Visual Arts Building

 
 
Ceramics handbuilding classroom area, 2016.

Ceramics handbuilding classroom area

Visual Arts Building Atrium

Ceramics Curriculum

Ceramics exists as one of eight studio programs within the School of Art and Art History, and has among the highest enrollment and semester credit hours taught by any of the areas. We regularly work with around 150-160 students in 13 sections, and close to 22,000 lbs of clay per semester. This is a large program, and as a result there is palpable energy and excitement in the area all the time.

Melting Coexistence, Heidi McKay Casto


Courses currently offered in Ceramics are:

Ceramics 1: Handbuilding

Ceramics 2: Throwing

Ceramics 3: Slipcasting

Ceramics 4: Advanced Studio

Ceramic Materials and Effects

Kiln Building

Installation Concepts in Ceramics

Advanced Concepts in Ceramics

Graduate Ceramics Workshop